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54 x 124 in.
An important Kashmiri Jamawar shawl, representative of the celebrated weaving tradition that flourished in Kashmir and was highly prized across South Asia, Central Asia, and Europe from the late eighteenth century onward. Jamawar shawls are distinguished by their dense, all-over patterning, achieved through painstaking loom weaving that often required multiple weavers and extended periods of production.
The present example displays the characteristic richness and compositional complexity associated with this tradition, with finely articulated motifs seamlessly integrated into a continuous, flowing design and framed by a carefully worked border. The interplay of colour, pattern, and scale demonstrates a high level of technical mastery and aesthetic control.
The depth of colour and intricacy of the woven ornament reflect the prestige of Jamawar textiles, which were historically associated with royal and elite patronage and widely collected as luxury objects. This shawl exemplifies the technical and artistic sophistication that established Kashmiri Jamawar weaving as one of the most significant textile traditions of the Indian subcontinent, making it suitable for inclusion in a serious collection of historic Kashmiri textiles or for scholarly study of South Asian decorative arts.
On stylistic, technical, and chromatic grounds, the shawl can be dated to the early to mid-19th century (circa 1825–1845), corresponding to the mature phase of Kashmiri Jamawar production. The reverse bears original red-ink workshop notations, applied during manufacture as part of traditional Jamawar atelier practice. These markings constitute internal workshop shorthand, most likely recording a piece or pattern number (५४९), a weaver, loom, or supervisor code (म), and a sub-count or section reference (४ ए), followed by tally marks indicating progress, labour units, or payment accounting. Such notations were functional rather than documentary and are characteristic of 19th-century Jamawar production, further supporting the authenticity and period attribution of the present example.
AS IS, Non-exportable
Provenance: The Estate of Mangaldas Nathubhai
Objets D'Art from the Mangaldas Estate
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Shipping costs will be borne by the winning bidder and charged at actual cost.
Shipping costs will be borne by the winning bidder and charged at actual cost.
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